Caracas March 5, 2006
VENEZUELA, PORTRAIT
are now past the parades, masks, horns and confetti, and what little remains of the carnival is the true image, self-portrait of the system introduced by the victory of the revolutionary party led by former colonel Hugo Chavez. Manufactured under the
indetenibile fantasy from Rio samba school "Villa Isabel" appropriately funded by the Venezuelan regime attigendo the endless source of state oil company PDVSA, has marched in colorful carnival in Rio, and won first prize in the coach, whose title evokes the deeds American hero Simon Bolivar.
the cry of "America United, America for all" a huge, grotesque image of Bolivar was advancing surrounded by photographs of those who at no time were precursors of the man who in reality was the real hero and so is the director while not appearing on the screens, the current president and sole leader of the Bolivarian Revolution renamed for export under called "Socialism of the XXI century".
An immense and empty cardboard image of swaying between seminude dancers as it is the spirit of Brazilian carnival and the appearance of those soldiers who accompanied the hero in his deeds Peró dressed like stars of a variety of other times, with operetta uniforms, wings of angels, sculettando and throwing kisses to the public at the rate of sweeping and sensual samba do brazil.
A statue of over 15 meters, bringing in the right hand with a heart Lucette kind Christmas tree that says and repeats like a chant as the power of obsessive love of a false popular revolution the mob trampled on for hundreds of years under the boots of the conquerors. A statue o meglio un fantoccio che disgraziatamente é la immagine, l'autoritratto incosciente di un regime, di una filosofia destinata nelle intenzioni del fantasma di Fidel a dominare un continente sotto il peso delle armi e del potere castrista-chavista.
Mentre in Venezuela, una delle nazioni piú ricche del mondo cadono in pezzi le opere costruite dagli antichi governi oggi dichiarati oppressori, mentre il potere omnivoro distrugge la ultima essenza e rifugio della vera democrazia, la indipendenza dei poteri pubblici, il regime festeggia costruendo la propria piramide come segno chiaro della mano di ferro con la quale il presidente, unico lider del processo maneggia le finanze pubbliche cosí come la magistratura, il potere elettorale, il parlamento e le forze armate.
Nessun artista dei pochi che ancora credono nella libertá avrebbe mai ne potuto né osato creare un autoritratto piú reale e d'accordo al significato del regime paramilitare instaurato dal governo rivoluzionario. Tanto grande come ridicolo, tanto grottesco come assurdo il gigantesco fantoccio imitando un pagliaccio offre al mondo sud americano un cuore di cartapesta vuoto e commerciale come l'albero di natale o un Babbo natale in un centro commerciale promozionando prodotti di pessima qualitá.
Se Enrico Toti fosse stato presente nella sfilata delle carrozze nel sambodromo di Rio de Janeiro avrebbe lanciato, come lo fece all'allora contro il nemico imperiale austroungarico, la sua stampella e prima di cadere he shouted at the monster of paper "Cursed be those who cheat solamemnte poverty to satisfy their egos
Senior leaders of the regime celebrated the victory of the immense puppet, a victory that has cost many, many public housing, roads in poor conditions, surgeries absolutely devoid of the necessary materials and a lot of crime now without brakes. The laughter and the celebrations of those who live by the corrupt and corrupting power have silenced the voice of the people who saw with sadness those who dressed up as soldiers of independence have created a feminine appearance of pathetic. Poor soldiers, poor country!
Maria Luz FdC
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