VENEZUELA VENEZUELA VENEZUELA
Caracas 12 Marzo 2006
MIRKO TREMAGLIA E LA NASCITA DELLA OTTAVA STELLA
Oggi il regime castro-bolivariano che da oramai sette anni domina la antica repubblica del Venezuela festeggia la nascita di una nuova stella e di un nuovo shield on the national flag. Again the symbols of the country, symbols for more than 50 years have accompanied the nation are sacrificed to the more raw style Maoist with the aim to accelerate the creation of a new generation, new and revolutionary that it can consolidate in the near Cuba as the perpetuation of the regime and of its dictator.
Today is a special day for the colony italovenezuelana which will have the pleasure to applaud the presence of the Minister Mirko Tremaglia once again among us is fair and random ports to the election. But while the reasons are clear shift of the symbols carried by the revolutionary regime in the entire second speed imposed by the Supreme all'inginocchiata ombra di ció che fu un parlamento é ben piú complesso comprendere la preenza di sua eccellenza il Ministro Tremaglia giá che uno dei suoi incarichi dovrebbe essere quello di vegliare sulle condizioni di quei connazzionali che per qualunque ragione vivono all'estero.
Sorvolando le frasi di rigore e cosí le promesse che si ripeteno da sempre, chimere fritte e rifritte, mete ben lungi dall'essere compiute quali sono le ragioni della visita dell'eccellentissimo Signor Ministro ? Per coloro che vivono lontani dalla ex republica del Venezuela é forse complesso comprendere tali ragioni peró sono esattamente come i pezzi di un puzzle, il tutto prende forma solo quanto piú si componga il disegno. Esaminiamolo sotto il punto di vista italiano e quello venezuelano.
In questo momento Venezuela rappresenta un immenso animale ferito a morte del quale si alimentano tutti i predatori. Un infinito getto di petrolio greggio utilizzato dall'attuale regime per comperare false alleanze. Il Brasile é uno dei casi piú evidenti, non solo é stato beneficiato dal costante flusso dei petrodollari alla compagnia statale brasiliana PETROBRAS con associazioni energetiche di dubbioso interesse per Venezuela bensí in un gigantesco sforzo per sostenere il reciproco appoggio Hugo Chavez ha incaricato al gigante amazzonico la costruzione di una gran flotta di navi cisterne destinate a sostituire e aumentare quella attuale il tutto in evidente contraddizione sia con le cifre di produzione attuali than with those provided in the future for which Venezuela is the only country in the world that claims for obvious political reasons leads to a reduction in the mining world.
Petrosur, PETROCARIBE THE ENERGY TRIANGLE, etc.. etc.. are a number of strategies driven by the Cuban regime wire to create a giant army as a mercenary in South America and the Caribbean as possible and isolate a most unlikely U.S. response. But in Venezuela and Hugo Chavez's election time and is strongly interested in maintaining the mask of Democritus and relations with the EU, which already approaches with Spain have cooled slightly for the difficulties the military supplies on which had the aspiring dictator. This campaign takes place as everyone knows funded by the nation's immense oil inputs both internally as forums. This means an immense fortune that will be invested to support the candidacy of former colonel in particular where its image is not considered it serious nor democratic.
Italy right now desperately needs an economic recovery and excellent Tremaglia Minister knows perfectly well, his stay in the government depends on its hunting skills and at this time the "Commander" as they affectionately call the dictator in pectore Venezuela is an easy prey, or even more appropriate to say, that Italy already has an excellent reputation in the fields of construction, rail, port, and why not arms of which desperately needs the "Commander"
A fantastic loot that only a novice pass up. What does it matter that the giant wounded beast is really a people that today more than ever suffer from poverty, persecution, torture. Who cares that the system is gradually changing the symbols of the country to create a new and fake national identity. What does it matter that the nation once rich and peaceful today empires fear and resignation. And finally, what does it matter that there are still small towns that are resistant to being crushed, perverts, indoctrinated, framed in a revolution which denies all the principles of freedom and democracy, will soon be swept away by the revolution which destroys everything and nothing was built.
probably many Italians at the time of paying the fuel does not think that Hugo Chavez and the Castro regime wire is largely responsible for the high price they must pay. Do not they know that the "Commander" is the only one that supports the thesis to reduce global production of fuel costs to increase even more. Not only his anti-American position, the absurd statements about an invasion of a possible war or military coup, his alliance with the policy of Iran and Syria are part of the reasons that keep the world at the edge of the energy crisis and justifies the high price of fuel.
But they do not think that the Italian municipality or the Minister Tremaglia not know the full knowledge and in spite of all the hunter or prefer to play as the vulture on carrion already throwing the loot Venezuela, the gigantic animal is now in an agony of the victim 'obsession with power and indifference of its inhabitants.
Maria Luz FdC
Sunday, March 12, 2006
Sunday, March 5, 2006
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Caracas March 5, 2006
VENEZUELA, PORTRAIT
are now past the parades, masks, horns and confetti, and what little remains of the carnival is the true image, self-portrait of the system introduced by the victory of the revolutionary party led by former colonel Hugo Chavez. Manufactured under the
indetenibile fantasy from Rio samba school "Villa Isabel" appropriately funded by the Venezuelan regime attigendo the endless source of state oil company PDVSA, has marched in colorful carnival in Rio, and won first prize in the coach, whose title evokes the deeds American hero Simon Bolivar.
the cry of "America United, America for all" a huge, grotesque image of Bolivar was advancing surrounded by photographs of those who at no time were precursors of the man who in reality was the real hero and so is the director while not appearing on the screens, the current president and sole leader of the Bolivarian Revolution renamed for export under called "Socialism of the XXI century".
An immense and empty cardboard image of swaying between seminude dancers as it is the spirit of Brazilian carnival and the appearance of those soldiers who accompanied the hero in his deeds Peró dressed like stars of a variety of other times, with operetta uniforms, wings of angels, sculettando and throwing kisses to the public at the rate of sweeping and sensual samba do brazil.
A statue of over 15 meters, bringing in the right hand with a heart Lucette kind Christmas tree that says and repeats like a chant as the power of obsessive love of a false popular revolution the mob trampled on for hundreds of years under the boots of the conquerors. A statue o meglio un fantoccio che disgraziatamente é la immagine, l'autoritratto incosciente di un regime, di una filosofia destinata nelle intenzioni del fantasma di Fidel a dominare un continente sotto il peso delle armi e del potere castrista-chavista.
Mentre in Venezuela, una delle nazioni piú ricche del mondo cadono in pezzi le opere costruite dagli antichi governi oggi dichiarati oppressori, mentre il potere omnivoro distrugge la ultima essenza e rifugio della vera democrazia, la indipendenza dei poteri pubblici, il regime festeggia costruendo la propria piramide come segno chiaro della mano di ferro con la quale il presidente, unico lider del processo maneggia le finanze pubbliche cosí come la magistratura, il potere elettorale, il parlamento e le forze armate.
Nessun artista dei pochi che ancora credono nella libertá avrebbe mai ne potuto né osato creare un autoritratto piú reale e d'accordo al significato del regime paramilitare instaurato dal governo rivoluzionario. Tanto grande come ridicolo, tanto grottesco come assurdo il gigantesco fantoccio imitando un pagliaccio offre al mondo sud americano un cuore di cartapesta vuoto e commerciale come l'albero di natale o un Babbo natale in un centro commerciale promozionando prodotti di pessima qualitá.
Se Enrico Toti fosse stato presente nella sfilata delle carrozze nel sambodromo di Rio de Janeiro avrebbe lanciato, come lo fece all'allora contro il nemico imperiale austroungarico, la sua stampella e prima di cadere he shouted at the monster of paper "Cursed be those who cheat solamemnte poverty to satisfy their egos
Senior leaders of the regime celebrated the victory of the immense puppet, a victory that has cost many, many public housing, roads in poor conditions, surgeries absolutely devoid of the necessary materials and a lot of crime now without brakes. The laughter and the celebrations of those who live by the corrupt and corrupting power have silenced the voice of the people who saw with sadness those who dressed up as soldiers of independence have created a feminine appearance of pathetic. Poor soldiers, poor country!
Maria Luz FdC
Caracas March 5, 2006
VENEZUELA, PORTRAIT
are now past the parades, masks, horns and confetti, and what little remains of the carnival is the true image, self-portrait of the system introduced by the victory of the revolutionary party led by former colonel Hugo Chavez. Manufactured under the
indetenibile fantasy from Rio samba school "Villa Isabel" appropriately funded by the Venezuelan regime attigendo the endless source of state oil company PDVSA, has marched in colorful carnival in Rio, and won first prize in the coach, whose title evokes the deeds American hero Simon Bolivar.
the cry of "America United, America for all" a huge, grotesque image of Bolivar was advancing surrounded by photographs of those who at no time were precursors of the man who in reality was the real hero and so is the director while not appearing on the screens, the current president and sole leader of the Bolivarian Revolution renamed for export under called "Socialism of the XXI century".
An immense and empty cardboard image of swaying between seminude dancers as it is the spirit of Brazilian carnival and the appearance of those soldiers who accompanied the hero in his deeds Peró dressed like stars of a variety of other times, with operetta uniforms, wings of angels, sculettando and throwing kisses to the public at the rate of sweeping and sensual samba do brazil.
A statue of over 15 meters, bringing in the right hand with a heart Lucette kind Christmas tree that says and repeats like a chant as the power of obsessive love of a false popular revolution the mob trampled on for hundreds of years under the boots of the conquerors. A statue o meglio un fantoccio che disgraziatamente é la immagine, l'autoritratto incosciente di un regime, di una filosofia destinata nelle intenzioni del fantasma di Fidel a dominare un continente sotto il peso delle armi e del potere castrista-chavista.
Mentre in Venezuela, una delle nazioni piú ricche del mondo cadono in pezzi le opere costruite dagli antichi governi oggi dichiarati oppressori, mentre il potere omnivoro distrugge la ultima essenza e rifugio della vera democrazia, la indipendenza dei poteri pubblici, il regime festeggia costruendo la propria piramide come segno chiaro della mano di ferro con la quale il presidente, unico lider del processo maneggia le finanze pubbliche cosí come la magistratura, il potere elettorale, il parlamento e le forze armate.
Nessun artista dei pochi che ancora credono nella libertá avrebbe mai ne potuto né osato creare un autoritratto piú reale e d'accordo al significato del regime paramilitare instaurato dal governo rivoluzionario. Tanto grande come ridicolo, tanto grottesco come assurdo il gigantesco fantoccio imitando un pagliaccio offre al mondo sud americano un cuore di cartapesta vuoto e commerciale come l'albero di natale o un Babbo natale in un centro commerciale promozionando prodotti di pessima qualitá.
Se Enrico Toti fosse stato presente nella sfilata delle carrozze nel sambodromo di Rio de Janeiro avrebbe lanciato, come lo fece all'allora contro il nemico imperiale austroungarico, la sua stampella e prima di cadere he shouted at the monster of paper "Cursed be those who cheat solamemnte poverty to satisfy their egos
Senior leaders of the regime celebrated the victory of the immense puppet, a victory that has cost many, many public housing, roads in poor conditions, surgeries absolutely devoid of the necessary materials and a lot of crime now without brakes. The laughter and the celebrations of those who live by the corrupt and corrupting power have silenced the voice of the people who saw with sadness those who dressed up as soldiers of independence have created a feminine appearance of pathetic. Poor soldiers, poor country!
Maria Luz FdC
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